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Underwater photography has been around for over 150 years, with the first underwater photo being recorded in 1856! The apparatus was extremely basic, and was essentially just a metal box with one glass wall to house the camera. Since then, underwater cameras now come in a variety of styles and are capable of producing incredible high-res media. With so many options on the modern day market, this guide will lay out exactly what makes a good underwater camera.
In its simplest form, an underwater camera is defined by any camera that can function while completely submerged underwater. Although this broad definition is true, there are vast differences in the quality/intended use of underwater camera models.
There’s no one-size-fits-all approach to buying an underwater camera. Start by looking at the task at hand. It's important to compare the features of each model and decide which is best suited for the project. After reading this guide, you should be able to confidently identify which model is right for you.
Underwater cameras have many different applications, ranging from recreational to professional. These uses include shooting documentaries, recording sports, asset inspections, ocean exploration and research, hobby photography, etc.. With all these different applications, logically, many different styles of underwater camera systems exist to fit different needs.
In the world of modern photography/videography, there are over a dozen main types of cameras that are commonly used. However, due to the specific requirements of underwater cameras, many of these categories are impractical to use due to size constraints. Typically, there are five main styles of underwater cameras:
Being able to mount onto helmets or other equipment makes them ideal for divers or snorkelers. This design allows for the user to film while keeping their hands free to maneuver the water. As a digital camera, they easily store their captures directly on an SD card. These saved images can be uploaded to a main desktop or laptop later.
Although they are most commonly used for video recording, action cameras are also capable of taking impressive photos. This becomes especially true on higher end models. Thanks to their CMOS sensors, action cameras are capable of time-lapse, slow-motion, and burst imaging modes.
Burst imaging is a great feature for divers to get better shots of moving subjects. The camera is capturing a high number of images in rapid succession to create a “pool” of shots. After the burst is complete, you can choose from a variety of image options to get the best shot possible.
Since action cameras are built for water sports, they’re typically designed with extra layers of water resistance. This means they can be used without worrying about a waterproof housing, although a water case can extend their depth ratings.
Some higher end compact cameras may have manual settings and higher quality sensors. However, the main selling point of compact cameras is their affordability and simplicity, so this would come down to personal preference.
Another major selling feature of compact cameras is a single lens. This one-lens design offers less versatility for different focal lengths, but provides superb portability. A professional photographer can reap the benefits of specialty lenses for different scenarios. Whereas for the majority of hobbyists, these just add unnecessary bulk and over complicate the process.
Compact cameras don’t usually come with built in waterproofing. However, some models like the SeaLife Micro do offer a waterproof system, at the expense of image quality. For standard compact cameras, an underwater housing will have to be used.
Underwater housings are essentially waterproof and pressure resistant cases that are designed to allow full control of the camera. Compact housing bundles sell in the range of $500-1,500, roughly 5x less than their DSLR counterparts. This makes for a much more approachable price point.
The powerful sensors on DSLRs produce higher quality images in comparison to compact cameras. Due to the increase in sensor size, they also provide excellent low light performance. DSLRs sport optical viewfinders, which offer superior dynamic range and clarity. Additionally, optical viewfinders provide instantaneous display compared to the latency from an electronic.
The manual settings and RAW shooting capabilities make DSLRs better suited to professional photography. Rather than a simplistic point-and-shoot approach, photographers have full control over their aperture, shutter speed, and ISO. For the skilled operator, this results in higher quality shots since each image can be optimized for its setting. On top of manual settings, adjustable lenses for DSLRs also offer improved scene flexibility.
DSLRs are not typically waterproof, and will require a housing for underwater photography. The cameras themselves have an extremely wide price range, selling for anywhere between $400 and $6,000 and beyond depending on quality. Housings will generally scale in price to coincide with more advanced camera modules, usually costing between $1,000 and $4,000.
Although the top-end range of DSLRs can be significantly higher than compacts, they do provide exceptional imaging performance. Additionally, for hobbyists interested in honing their photography skills, low-cost models are a great entry point.
Mirrorless cameras operate very similarly to DSLRs, with high image quality, manual setting controls, adjustable lenses, and comparable price ranges. However their different mechanism design does carry some notable differences. Typically these include the use of an electronic viewfinder, quieter operation, faster shooting speeds, and better focusing. These features add up to better overall video performance compared to DSLR, which can be a major pain point for DSLRs.
For underwater shots, remote operated vehicles (ROVs) operate very similarly. ROVs are submersible, robotic vehicles, used to observe the depths of large bodies of water by operators from shore. These vehicles are used in a variety of industries: Aquaculture, Search and Rescue, Military, Marine Biology, Oil, Gas, Offshore Energy, Shipping, Submerged Infrastructure, Ocean Exploration and more.
ROVs can capture high definition images and videos of submerged assets far below what is capable of a human diver. Commercial diving licenses allow for open water dives of 200ft (60m). Photography at these depths would require scuba certification, protective gear, and carry the dangers of open diving. In comparison, a Deep Trekker ROV can capture 4K images and videos up to 1,000ft (305m) under the surface while the operator remains safely on shore!
Megapixels and photosites are a 1:1,000,000 ratio, meaning a 20MP camera will house 20 million photosites. A larger sensor would also allow for these photosites to be larger. This would result in higher quality images, better depth of field, and improved low light performance. In underwater photography, where light is less abundant compared to topside, low light performance is key for optimal imaging.
That being said, sometimes underwater cameras are used for conducting asset inspections rather than art. An automatic camera with auxiliary lighting is a much simpler and streamlined approach for clear imaging.
Photographers who want more control over post capture edits will want to opt for RAW shooting capabilities. Maintaining the full image data will provide flexibility to adjust exposure, white balance, and noise. Casual photographers who just want a quick image with some basic post-edits may be better suited to shooting in JPG.
High bitrate cameras can be excellent options for professionals or content creators looking for the best quality possible. However, this may be overkill for the casual hobbyist, or someone looking to primarily take still images.
As a standard, bitrate is measured in mbps (megabits per second). Although it may seem intuitive that higher bitrate is always better, that isn’t always the case. Based on your resolution and FPS settings, below are the optimal ranges.
Type | Video Bitrate, Standard Frame Rate (24, 25, 30) | Video Bitrate, High Frame Rate (48, 50, 60) |
---|---|---|
2160p (4k) | 35-45 Mbps | 53-68 Mbps |
1440p (2k) | 16 Mbps | 24 Mbps |
1080p | 8 Mbps | 12 Mbps |
720p | 5 Mbps | 7.5 Mbps |
480p | 2.5 Mbps | 4 Mbps |
360p | 1 Mbps | 1.5 Mbps |
Source: Youtube Help
Type | Video Bitrate, Standard Frame Rate (24, 25, 30) | Video Bitrate, High Frame Rate (48, 50, 60) |
---|---|---|
2160p (4k) | 44-56 Mbps | 66-85 Mbps |
1440p (2k) | 20 Mbps | 30 Mbps |
1080p | 10 Mbps | 15 Mbps |
720p | 6.5 Mbps | 9.5 Mbps |
480p | Not supported | Not supported |
360p | Not supported | Not supported |
Source: Youtube Help
Deep Trekker offers ROVs rated for depths of 650-1,000ft. Starting at $US 5,749, these come in at a very similar price point to a mid-range camera plus underwater housing. ROVs are operated from the surface via a handheld controller containing a 7” screen. Auxiliary and primary camera lights offer excellent visuals in dark environments, and 1080p or 4k upgradable systems provide impressive performance.
Interested in Learning More About ROVs for Underwater Photography? Get in Touch with One of our Specialists Today
Depending on the intended situation, dynamic range has varying levels of importance. For shooting documentary footage, sporting events, or created high-end content, dynamic range can help deliver impressive colors and image clarity. For industrial use during asset inspections, it may not carry much benefit for inspecting neutral tone structures.
On the other hand, photographers should investigate options in either compact, mirrorless, or DSLR. These options have been the staple for still photography for years, and for good reason. Beginners may enjoy the simplicity of compact options with auto modes. Professionals would be better suited to DSLRs or mirrorless options with large sensors, manual shooting modes, and RAW file formats.
As always, our team of experts is available to answer any questions you may have. If you’re looking to take your underwater photography to new depths, reach out to get your customized quote today.
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